vijay aso marathi full movie download
Quality : HDRip
Release date: 20 December 2013 (India)
Director: Rahul Jadhav
Music director: Amit Raj Sawant
Screenplay: Chinmay Mandlekar
Producers: Chandresh Bhanushali, Ketan Shishodia, Shashikant Kotian
Story Outline: Shankar Gawde (Chinmay Mandlekar) is not only a karyakarta (celebration worker) for Forest Minister Prakash Jadhav (Murli Sharma). He considers the baby-kisser as his demigod. He helps fulfill Jadhav’s political motives by using staging faux protests, gatherings, and so on.
All hell breaks free for Jadhav whilst tv journalist Shrikant Pathak (Ganesh Yadav) exposes him for corruption in the land region. Hence, the party leader demands Jadhav’s resignation. In order to show his electricity and hit back on the birthday party chief, Jadhav orders Gawde to arrange a violent protest outdoor the birthday celebration leader’s office. An emotionally charged Gawde obeys the orders most effective to recognize that he has been taken for a journey. Angry and heartbroken, Gawde sets out to take revenge from Jadhav for the betrayal!
Review: There have been a number of political dramas in latest years. But notwithstanding that, debutant filmmaker Rahul Jadhav’s Vijay Aso stands proud for portraying the real picture on the running of a karyakarta (celebration employee). Although there’s an absence of flawlessness, the above noted point, a quick narration and primarily, Chinmay Mandlekar’s bravura act make sure that Vijay Aso is truly well worth looking.
What works most for the film is a quick paced narration with rarely a dull moment. After a median beginning, the writers have well supplied a number of interesting activities one after the opposite. But the most important plus factor needs to be the interior story behind political occasions like rallies, gatherings, protests, and so on.
This simply brings returned reminiscences of Avdhoot Gupte’s Zenda. But Vijay Aso treads on a specific course via focusing extra on their operating fashion with recognize to the way in which they arrange staged political occasions. Later on, the maximum defining second and Mandlekar’s transformation take the movie to a new level.
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